![]() ![]() As clear from its meaning, this repertoire is based on the high spiritual value of liberation of soul and serenity. In some other words of Indian philosophy and religion, the Moksha refers to the liberation from the cycle of death and rebirth. Mokshya: As per the Hindi literature, the word Mokshya or Moksha means Mukti or freedom from the world and its problems.The Natya or Natyam is incorporated with the elements of the Nritya. This typical repertoire is mostly performed in a group but a solo performer can also act. Natyam: This is a dramatic dance form in which the performers indicate the arrival of a new character in the act or the running story by presenting various standardized body movements.Mostly, it is performed by a single dancer. The main aim of the Nritya is to engage the emotions and minds of the public so that they can relate to the performance and understand its serenity. The dancers catch each note and tone to make the act super fine. These silent expressions are enough to tell the complete act without the use of a single word. In the Nritya, the performer uses the sign language of gesture and body motion to connect with the viewers. These themes are based on the Hindu religion and its traditions. In this form, the main aim of the performer is to communicate with the audience and telling stories through dance which are mostly related to spiritual themes. The Nritya is also called the Dance of Emotions. Nritya: It is a slower and expressive repertoire of Orissi dance.The Nritta is performed by a solo dancer. In this technical performance, the dancers target the senses ( prakriti) of the audience only by the simple but unbelievable dance form. In this repertoire, the viewers don't get any story or interpretative aspect. A beautiful and pure movement is presented by the performer in the Nritta which is filled with perfection. The main point of attraction in Nritta is its motion, form, pattern, speed, and range. ![]() Nritta: This is an abstract, fast, and rhythmic aspect of the Orissi dance.But the music of the dance is mainly in Odia and Sanskrit language. This dance form can be complemented with both Hindustani and Carnatic dance forms. They include Abhinaya Darpan, Natya Shastra, and the Abhinaya Chandrika of the 16 th century which was written by Maheshwar Mahapatra. These aspects are described and illustrated in various Hindu texts. Other than these three, Mokshya is also a repertoire of Odissi. There is no shame for physical intimacy in Odissi and it is a part of celebration and worship.Īs similar to the other Indian classical dances, Odissi also includes Nritta, Nritya, and Natya. Love is a widespread topic in the dance which is expressed via romantic poems and metaphors. The involvement of men and its rebirth since the 1950s have played a huge role in introducing the modern plays and moves of other Indian dances in Odissi. ![]() The modern form of dance is expanded performance art. At a young age, many of these gotipuas become the Gurus (instructors). These performances are given in temples as well as open grounds for entertainment. In another form of dance, the groups of boys dressed as young ladies ( Gotipuas) extended the Odissi collection, by introducing gymnastics and athletic moves in their dance. These Maharis perform the pure dance along with different expressions to convey a meaning, show grace, or communicate the content through their abhinaya (signals). This drama-dance included ladies ( Maharis) who enact spiritual poems or a religious story within the inner sanctum of a temple, or within the Natamandira connected to the temple. In the classical and medieval period, Odissi has been a group dance that originated from Hindu writings. ![]() Later, this concealment was challenged by the Indians and taken after by its restoration, reproduction, and development since India got freedom from the Britishers. Its presence is proved by the dance postures within the figures of Odishee Hindu temples, and archeological locales related to Hinduism, Buddhism, and Jainism. The hypothetical establishment of Odishee is based on the Sanskrit content Natya Shastra. Odishee exhibitions have too communicated thoughts of other conventions such as Hindu divine like Shiva and Surya, as well as Hindu goddesses. In this dance form, beautiful religious stories and spiritual ideas are played particularly related to Vaishnavism (a manifestation of Lord Vishnu as Jagannath). In the beginning, Odissi was performed by women. This dance was originated in the Hindu temples of an eastern state of India named Odisha. Odissi or Odishee is a famous ancient Indian Classical Dance form. ![]()
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